About

Headshot 3 colourTenor David Horton has recently completed a successful tour with English Touring Opera, performing in all three of their critically acclaimed productions, including playing Gravedigger 1 in The Silver Lake by Kurt Weill. Earlier in the year he joined Garsington Opera as one of their Alvarez Young Artists, covering the role of Marinoni in Offenbach’s Fantasio. He also reprised the role of Eisenstein in a dynamic new pop-up production of Strauss’ Die Fledermaus with Baseless Fabric Theatre. In 2020 David will be making both his role and company debuts with Mid-Wales Opera, playing Don Basilio in their new production of The Marriage of Figaro. He will subsequently be returning to Garsington Opera as an Alvarez Young Artist, and covering the role of Gamekeeper in Dvořák’s Rusalka. 

In 2018 David received praise from critics and audiences alike for his portrayal of John in Stanford’s The Travelling Companion with New Sussex Opera, making his Cadogan Hall debut and contributing to a world premiere recording of the work declared a ‘landmark’ by Gramophone Magazine. Other roles in the same season encompassed the title role of Candide with Iford Arts/Opera Della Luna; Henry Crawford in Dove’s Mansfield Park for the inaugural Waterperry Opera Festival; and Vandedendur/King Theodore for West Green House’s production of Candide. Previous roles include Moon/King of the EastThe Enchanted Pig (Hampstead Garden Opera); The Lover/The Friend/The Preacher, The Vanishing Bridegroom (British Youth Opera); Eisenstein, Die Fledermaus (RCS Opera); Tristan, Le Vin Herbé (RCS Opera) and a number of roles in English Eccentrics (British Youth Opera). While still studying at the Royal Conservatoire of Scotland, David played Magician 1 in Henry McPherson’s opera Ūhte, recorded and filmed in conjunction with the BBC Scottish Symphony Orchestra under the direction of Martyn Brabbins and premiered at the RCS Plug Festival 2016.

On the concert stage David has performed across Britain, most recently singing the tenor solos in Haydn’s Nelson Mass at the Hargrave Festival. In 2018 his concert engagements included the eponymous St Nicholas in the work of the same name by Benjamin Britten with Cupar Choral Society, the tenor solos in Mozart’s Requiem at the Hargrave Music Festival, Handel’s Messiah with Glasgow Cathedral Choral Society (GCCS), and a series of Bach Cantatas with Ludus Baroque in Edinburgh conducted by Richard Neville-Towle. Whilst studying in Scotland, David also performed the tenor solos in Bach’s Magnificat and Haydn’s Nelson Mass with the GCCS and Vaughan Williams’ Serenade to Music with the Royal Conservatoire of Scotland Symphony Orchestra.  David has been involved in a number of British and world premieres, most notably the UK Premiere of Kurt Schwertzik’s Shal-i-mar which was performed with the Royal Northern College of Music Symphony Orchestra.

David hails from Devon and is a graduate of the Alexander Gibson Opera School at the Royal Conservatoire of Scotland. During his time there, he studied under the tutelage of Scott Johnson and was a grateful recipient of a scholarship from the RCS Trust. Previous training includes a BMus Hons from the Royal Northern College of Music (RNCM) and a year spent in Sydney, Australia, studying under Dr Rowena Cowley.